![]() Or he could do what no movie or television show based upon Batman had ever done. He could fast forward to a dystopian near-future and implement the recently created world of Batman Beyond, an intriguing premise that will occur some day in a movie theater. He could continue the Batman story from where it left off, an option no one preferred. He was faced with a decision upon three very different choices. All he needed was the right project to leverage his indie-honed sense of purpose into mainstream movie blockbuster success. ![]() Having stolen headlines with his brilliant, pleasantly obfuscating work in Memento, Nolan had grown to be the It Director in Hollywood circles. A fresh approach was needed and a brilliant, maverick directed was required to accomplish this task.Įnter Christopher Nolan. One belief was held in moral certitude, though. Audiences might be willing to forgive and forget mistakes of the past as long as a modern update proved satisfactory. Eight years was deemed as enough time and distance from the Batman & Robin fiasco. Ocean's 11 put Clooney on a career trajectory oftentimes described as Cary Grant-esque. Freeze himself, Arnold Schwarzenegger, ran a successful gubernatorial campaign. surveyed the carnage of their franchise and made the only appropriate evaluation. So complete a disaster was the fourth Batman movie that it killed two careers - Alicia Silverstone and Chris O'Donnell's - and temporarily halted the forward momentum George Clooney had been building. Shumacher's final atrocity earned $100 million less (40%) less than any of the previous three installments. In inflation adjusted numbers, Batman earned $412.4 million, Batman Returns earned $257.0 million, Batman Forever earned $277.0 and Batman & Robin earned $153.1 million. In point of fact, no one wanted to see that and the box office numbers reflected it. The point of no return was putting the caped crusader in a suit complete with nipples. Such was the state of Batman at the end of the Joel Schumacher era. ![]() I found some aspects of the movie brilliant, but it overreaches in a confusing, clunky climax that has at least two too many moving parts.Ī franchise in shambles. Please put down your torches and pitchforks. Heath Ledger's performance is for the ages.Ī menacing, haunting exploration of morality and humanity. In fact, it's more an excellent crime film. Some scenes lacked some needed music.Įverything you can ever hope for in a comic-based film and more. Ledger is excellent and I loved the catch-22 theme. All praise of Ledger is deserved, but Eckhart is the real surprise.
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